Zarina Hashmi - Biography | Artist | New York | Zarina Hashmi’s 86th birth anniversary
Biography
Born in Aligarh, India on 1937, Zarina Hashmi who goes by her first name is an Indian-born, American artist whose work spans from minimal drawing to printmaking and sculpture which more or less evokes and explores the idea of home, distances, trajectories influenced by her extensive travels. Zarina received a degree in Mathematics and is fascinated by architecture which reflects in her use of geometry and structural purity on her works. Having an identity of an Indian woman born as a Muslim, she uses visual elements from Islamic religious decorations, especially the regular geometry commonly found in Islamic architecture.
Zarina Hashmi |
She has been one of the very few women amongst the Indian artists of her time to include M.F. Husain, V.S. Gaitonde, Tyeb Mehta and Nasreen Mohamedi. Her artistic practice expanded after marriage and departure from Aligarh in 1958 during sojourns abroad when she lived in Bangkok, Paris, and Bonn with her husband, a diplomat in the Indian Foreign Service. While living in Paris in the mid-1960s, Zarina studied with Stanley William Hayter at Atelier 17 and was one of the many Indian artists living and working there at the time. Upon her return to India in 1968, Zarina moved to Jaguar and lived there, alone, for six years. She left Delhi for Tokyo in 1974 where she worked with Toshi Yoshido at his studio and immigrated to the United States the following year. Zarina built out her loft, a community of friends and was part of the city’s burgeoning feminist art movement. She supported herself by teaching at universities across the country then traveled back home to India, fought eviction from her apartment, had exhibitions in India, Pakistan, and New York, and continued visiting her family in Pakistan after they moved in 1959, the new country that they, but not she, would call home. Zarina’s relationship to her homeland and newly adopted country mirrored the fraught relationship both have had with their Muslim minorities.
Google Doodle celebrates artist Zarina Hashmi’s 86th birth anniversary.
By Tiasa Bhowal: Google paid tribute to Indian-American artist Zarina Hashmi on her 86th birth anniversary with a wonderful doodle. She is widely recognised as one of the most significant artists associated with the minimalist movement.
Today’s illustration has been done by New York-based guest artist Tara Anand. The artwork captures Hashmi’s use of minimalist abstract and geometric shapes to explore concepts of home, displacement, borders, and memory.
Hashmi was born on this day in 1937 in Aligarh. She and her four siblings lived an idyllic life until the partition of India in 1947. Zarina's family was forced to flee to Karachi in the newly formed Pakistan.
Hashmi was 21 when she married a young foreign service diplomat and began travelling the world. She spent time in Bangkok, Paris, and Japan, where she became immersed in printmaking and art movements like modernism and abstraction.
Artistry
Zarina's art was informed by her identity as a Muslim-born Indian woman, as well as a lifetime spent traveling from place to place. She used visual elements from Islamic religious decoration, especially the regular geometry commonly found in Islamic architecture. The abstract and spare geometric style of her early works has been compared to that of minimalists such as Sol LeWitt.
Zarina's work explored the concept of home as a fluid, abstract space that transcends physicality or location. Her work often featured symbols that call to mind such ideas as movement, diaspora, and exile. For example, her woodblock print Paper Like Skin depicts a thin black line meandering upward across a white background, dividing the page from the bottom right corner to the top left corner. The line possesses a cartographic quality that, in its winding and angular division of the page, suggests a border between two places, or perhaps a topographical chart of a journey that is yet unfinished.
Solo exhibitions
Year | Name of exhibition | Name of gallery | Place |
---|---|---|---|
2019–20 | Zarina, A Life in Nine Lines | Kiran Nadar Museum of Art | New Delhi, India |
Zarina: Atlas of Her World | Pulitzer Arts Foundation | St. Louis, USA | |
2018 | Zarina | Luhring Augustine | New York, USA |
Zarina: Weaving Darkness and Silence | Gallery Espace | New Delhi, India | |
2017–18 | Zarina: Dark Roads | Asian/Pacific/American Institute at New York University | New York, USA |
2016 | Life Lines | Gallerie Jeanne Bucher Jaeger | Paris, France |
2014 | Zarina: Descending Darkness | Luhring Augustine | New York, USA |
Zarina: Folding House | Gallery Espace | New Delhi, India | |
2012–13 | Zarina: Paper like Skin | Armand Hammer Museum of Art and Culture Centre | Los Angeles, USA |
Solomon R. Guggenheim Museum | New York, USA | ||
The Art Institute of Chicago | Chicago, USA | ||
2011 | Zarina Hashmi: Noor | Galerie Jaeger Bucher | Paris, France |
Zarina Hashmi: Recent Works, Gallery | Gallery Espace | New Delhi, India | |
Zarina Hashmi: Anamnesis, 1970–1989 | The Contemporary Art Gallery | Mumbai, India | |
2009 | The Ten Thousand Things | Luhring Augustine | New York, USA |
2007 | Directions to My House | Shanghai Contemporary 07 Art Fair | Shanghai, China |
Zarina: Paper Houses | Gallery Espace | New Delhi, India | |
Weaving Memory 1990–2006 | Bodhi Art | Singapore | |
2006 | Zarina: Silent Soliloquy | Bodhi Art | Singapore |
2005 | Zarina Counting, 1977-2005 | Bose Pacia | New York, USA |
2004 | Cities, Countries and Borders, Prints by Zarina | Gallery Chemould | Mumbai, India |
Gallery Espace | New Delhi, India | ||
Chawkandi Gallery | Karachi, Pakistan | ||
Gallery Rohtas 2 | Lahore, Pakistan | ||
2003 | Maps, Homes and Itineraries | Gallery Lux | San Francisco, USA |
2002 | Home is a Foreign Place | Korn Gallery, Drew University | Madison, New Jersey |
2001 | Zarina, Mapping a Life, 1991–2001 | Mills College Art Museum | Oakland, USA |
2000 | Home is a Foreign Place, Admit One | Gallery Espace | New York, USA |
Chawkandi Gallery | Karachi, Pakistan | ||
1994 | Homes I Made | Faculty Gallery | University of California, Santa Cruz |
1993 | Chawkandi Gallery | Karachi, Pakistan | |
1992 | House with Four Walls | Bronx Museum of the Arts | New York, USA |
1990 | Zarina: Recent Work; Bronze, Cast Paper, Etchings | Roberta English Gallery | San Francisco, USA |
1985 | Zarina Hashmi: Paper Works | Art Heritage | New Delhi, India |
Chitrakoot Gallery | Calcutta, India | ||
Gallery Cymrosa | Bombay, India | ||
Chawkandi Gallery | Karachi, Pakistan | ||
1983 | Satori Gallery | San Francisco, USA | |
1981 | Zarina: Cast Paper Works | Hebert F. Johnson Museum of Art, Cornell University | Ithaca, New York, USA |
Zarina: Recent Cast Paper Works | Orion Editions | New York, USA | |
1977 | Gallery Alana | Oslo, Norway | |
1976 | India Ink Gallery | Los Angeles, USA | |
1974 | Zarina: Screenprints, Tapestries | Triveni Kala Sangam | New Delhi, India |
Serigraphs by Zarina | India Ink Gallery | Los Angeles, USA | |
1973 | Zarina: Woodprints | India Ink Gallery | Los Angeles, USA |
1972 | Chanakya Gallery | New Delhi, India | |
Gallery F-15, Jeløya | Moss, Norway | ||
1971 | Chanakya Gallery | New Delhi, India | |
Cultural Centre Ora | Athens, Greece | ||
1970 | Graphics by Zarina | Pundole Art Gallery | Bombay, India |
1969 | Gallery Chanakya | New Delhi, India | |
1968 | Kunika-Chemould Art Centre | New Delhi, India |
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